Sure, dance a bit, but I’m pretty sure by the end you’ll be air drumming and head thrashing like the unabashed dork in the back of the room at an Oxes show.
Skywave was an awesomely awesome band. They sounded kinda like A Place To Bury Strangers. One of the dudes from Skywave went on to form A Place To Bury Strangers. Surprise! The other two made Ceremony. Ceremony also sounds like APTBS except less loud/more poppy. Really super cool stuff. Good enough to warrant a review perhaps without mentioning APTBS once.
"Someday" is echoey, catchy, distorted, rooted in the '80s, but still plenty loud and totally fucking rocking. It's the single off their next album Rocket Fire coming out on the Brainwashed affiliated Killer Pimp label (emphasis on the killer). The B side, "Cracked Sun," will only be available on the 7". So if you slicksters like to be completists and all, best get on that shit.
I'M BACK BRITCHES! I have an epic back log of shit to write about, so there might be a sacrifice in quality to catch up in quantity. But whatever happens, I hope to be shedding light upon things you might otherwise not have heard of. I thought I'd start the new year off with one of the stranger tapes I picked up lately, Jana Winderen'sThe Noisiest Guys On The Planet.
I have a special place in my heart for people who are able to make field recordings of the most innocuous sounds and create fantastic music out of it. Add Winderen to that list. The Noisiest Guys is seemingly straightforward; it's just a tape of shrimp sounds. Done.
However not even shrimp scientists (they exist) know exactly what these sounds are. Not everybody agrees, but the general consensus is that they're feeding. But I can assure you there are sounds on here that are not eating noises. Like that deep terrifying thunder rumble. Wtf is that? The ominous and eventual arrival of the kraken to feast upon millions of shrimp, most likely (fact: kraken eat shrimp).
So there's plenty of mystery surrounding these noisy guys and that's cool. Everyone loves a little mystery cloaking. But forget that for a minute. Pretend you know everything there is to know about this tape and there's zero magic involved. IT'S STILL AWESOME. The crackling and popping, the rumbling and squeaking, the hissing and rushing make this one of the best ambient electronic albums ever. Except not. 'Cause it's shrimp. And that makes it better.
Intransitive Recordings once again put on the coolest New Years Eve event in Boston. I promise nothing you did last night was as fun as this show. Plus, they were selling the debut release from the new Intransitive offshoot, Songs From Under The Floorboards, which will be issuing limited edition hand made art CD-Rs and tapes and such. The first one is Kyle Bobby Dunn's The Intimate Rituals Of... and it's absolutely gorgeous. Anyway, here are some photos I shot last night. There are tons more on Flickr.
I wasn't going to do a Top 10 list this year. I figured my Top 1 list was sufficient because that was so clearly the one thing that made such a life changing impact on me. But then the fine folks of Weirdo Records asked me to make a Top 10 for them. I couldn't turn them down, obviously, and it was an excuse to do something that I really wanted to do all along. I love making lists. And people love reading them. I don't know why I withheld from something that everyone so clearly wanted.
Once I made my list for Weirdo, though, I realized that about 75% of it was comprised of drone records. So to make things more interesting, I decided to make a Top 10 list of just drone records.
Links go to original reviews. Please check out the other lists at Weirdo because that's where this originally came from. Now, onto the heckling!
7.Keith Fullerton Whitman's Dream House Variations (Arbor) 4 tapes of differing length meant for simultaneous play and manual fucking around (fast forwarding, speed manipulation, etc) is encouraged. This is just fucking brilliant. Oh, and the music's great too.
6.Acre's Isolationist (Isounderscore) Even though two of the three tracks on this were previously released (though unheard by me and therefor irrelevant), the brand new track is awesome enough to warrant being in everyone's top 10 list. It's the densest, warmest, drone ever and came right in time for winter.
4.The Golden Sores' A Peaceable Kingdom (BloodLust!) This is where drone is going. The is the new drone of the future. Everything about this record is utterly fantastic. Chill ambient style, guitar psych feedbackage, and everything else. This is how it's done.
3. Mountains' Choral (Thrill Jockey) (motherfuckers deleted my fucking review) Unbelievably amazing ambient naturey organic drone. So life affirming. Put this record on and your stress is instantly zapped. Motherfuckers deleted my fucking review, so here's the same label approved mp3 I put up the first time. Mountains - Choral
2.Jason Crumer's Walk With Me (Misanthropic Agenda) This is the noisiest drone record I've heard all year. Sometimes it gets almost unbearably rowdy but it's the kind that gives you chills. The final two songs are probably the best sequenced tracks of the year.
1.Eluvium's Life Through Bombardment (Temporary Residence Limited) This takes the number one spot with ease. Every Eluvium album on vinyl for the first time. It's like hearing each record anew and in the proper way. Plus, have you seen the packaging on this beast? It's gorgeous and epic. It's a fuckin BOOK. And it's personalized. TRL really went for broke on this and it's absolutely worth every penny.
I'm not entirely sure this one is out of print, but I wasn't able to find it for sale anywhere so whatever. Either way, if you end up finding this available, grab it immediately 'cause this shit is fucking awesome.
Yeah, this is more black metal, but it's so much more insane than any other BM record I've heard. Mamaleek is fucking all over the place with some old bluegrass sounds, jazz, spacey ambient, electronic, post rock, and anything else they wanted to throw in there. But even the "regular" BM sounding songs are anything but. Mamaleek is just absolute fucking chaos. Honestly, this is one of my all time favorite BM records. And don't just automatically write this off if you're not into BM because this is so fucked up that I'm sure it will appeal to even those of you just into really weird shit.
For the extra curious, here's the original review I wrote back in April '08.
I have a soft spot in my heart for the most fucked and wicked black metal out there, along with the equally fucked song titles. Voltaic Omen'sHammer Of Witches tape lends a helping hand royally thrashing my ears and brightening my day with names like "Scream For Fucking Mercy" and what might be song title of the year, "Crypt Fucker" (so concise, so evocative).
Voltaic Omen has some serious hatred in his soul, seemingly directed at me. And you. And everyone else who listens to his filth metal. What I love about this dude is his vocals. They're not the deep throated Cookie Monster growls, nor are they like the screeching eagle demons. He's found some middle ground that will probably please most black metal fans.
With the exception of "Dance Of The Corpulent Witches" and it's toe tapping synths, every song is pure brutality. Furious walls of buzzing guitars and relentless washed out drums. And, of course, some strange beauty emerges from the abyss of evil, which is what makes black metal so fucking enjoyable.
I'm usually torn about which song to put up with a review. My storage space and bandwidth are limited so I try to go for the shorter songs, but "Invert The Cosmos" is so fucking epic and gorgeously twisted that I'm putting that one up. Make sure you fuckers listen to the whole thing. And then if you can find one of the 24 remaining hand numbered copies of Hammer Of Witches, fucking buy the shit out of it.
P.S. Go to his Myspace so you can listen to "Crypt Fucker" then head to his MediaFire to download a brand new song 18 minute song "Kuru Blown" that fucking slays.
Nope. That's not a typo or a joke. There has been one thing this year that completely surpassed everything else in terms of sheer awesomeness. This has honestly changed my life more than anything else this year. I have already heaped endless amounts of praise on this the first time I posted it yet it still deserves more.
I can't even imagine how many spiders I killed in 2008. I think I killed one since I saw this video, which, by the way, is shamefully underviewed on YouTube, especially considering that I account for half of the 290,000 views.
I love everything about this song and video. Let me re-cap from my original post:
I love the rhythm. I love the flow. I love every single lyric. I love the story. I love the animation. I love the imagery. I love the dad. I love the dad's voice. I love the son's voice. I love the old timeyness. I love the (faux?) outsider feeling. I love the dad's long nose and weird hair and worm nipples. I love the opening line. I love the dad caressing the spider's delicate legs. I love the page turning. I love that the dad decided to teach his son a lesson about morals upon being woken up in the middle of the night. I love that it ends with the dad saluting the spider and wishing him "Godspeed." I love every single thing about this video. I love Garrett Davis and Kirsten Lepore for making this. I hate Garrett for not making more music.
I present to you Garrett Davis' & Kirsten Lepore's "Story From North America"
I listen to King Kong Ding Dong a lot and have little to say about them. I decided to write this review when I realized why that was. Because their name is King Kong Ding Dong. Yeah. Say that out loud, please. There ya go. That's pretty much all I think about when I'm listening to them. That, and how fucking ridiculously fantastic this album is.
Youth Culture Index is about to blow up. Once people know it exists, it will literally explode. Some sort of self aware timer or something. I dunno. But it's got all the makings of a classic. Kinda tropical, kinda tribal, kinda fucked up, kinda 100% AWESOME... you get the idea.
Also, I just found out that this is available for free. FUCKING SERIOUSLY. Click here already. There isn't a single reason you shouldn't have at least 5 copies of this on your hard drive. And then buy it, too. It's only 7 bucks cheapskate.
I'm at Boston's Bazaar Bizarre today helping my wife sell her amazingly awesome Gocco stuff as Argyle Whale. We'll be at table 45 making friends and $$$ so stop by and say hello.
Even if you're not really all that into crafty handmade things (but why tf wouldn't you be? seriously...) this year BBB will have a whole separate room just for record vendors. Yes, now you can go to Baz Biz and buy records. Fucking sweet! I'm so stoked about this! So if you drop by table 45 and I'm not there, chances are you'll find me lurking around in the music room deciding what to spend my cash on. And if you wanted to get me a Christmas present, I can think of a good spot to go shopping...
And the Eluvium song is relevant because it's what I listened to while driving to BB last year. Also, it's a brand new Eluvium song. Get excited! It has vocals and percussion. It is not the Eluvium you thought you knew. It is Eluvium 2.0. And it is awesome.
Sons Of Magdalene is Josh Eustis' (of Telefon Tel Aviv) solo project. Epically minimal organic tape loop drones like Belong or Basinski. I'm fairly certain this is the only release he's put out under this name. IT IS AWESOME. Seriously, if you have any fond feelings towards either of those RIYLs then fucking download this immediately. Here's what I had to say about it back in '08 if you're interested.
I Want To Review Your Music If you make music and you want it reviewed on my blog, just send me an e-mail. I would love to hear what you're making and give you a little more exposure in the process.
Disclaimer All of the music on this site is for promotional and sampling purposes only. If you enjoy it, please consider buying the record or going to see the band live. They will appreciate it, I promise. If you own the rights to a song on this site and you would like it removed, please contact me and I will do so as quickly as my tiny paws allow.