Showing posts with label great scott. Show all posts
Showing posts with label great scott. Show all posts

Thursday, March 18, 2010

Black Pus, Sissy Spacek, Nautical Almanac, Wittmer & Knowles, Weyes Blood at Great Scott

Black Pus: whirlwind chaos, heavier and more metal than on record, surprisingly chill crowd, "Fuck the beat police!"

Sissy Spacek: dude had guitar with springs for strings, Wiese looks like a creepy pedophile (via The Lovely Bones), indescribable noise that somehow didn't (but should have) shattered my lens

Nautical Almanac: crazy ass rear projections on a giant's sheet distracted from the already distracted radio-scanning incomprehensible clatter

Wittmer & Knowles: performance noise, Germanic human robots played tuning forks with their feet, the mouth of hell opened up, dragged to a cacophonous world of guttural growling & strobe lights, wall of mayhem, sight & sound cease, robots collapse

Weyes Blood: shamanistic organ drone pop with Zola Jesus vocals and warped backwards tapes of wind & dust, the man made her blown out her essential mood-enhancing candles

Some photos below, shit tons more on Flickr.

Black Pus

Black Pus

Sissy Spacek

Sissy Spacek

Nautical Almanac

Wittmer & Knowles

Wittmer & Knowles

Wittmer & Knowles

Weyes Blood

Wednesday, November 11, 2009

Deastro, Max Tundra, Mystery Roar at Great Scott

Mystery Roar were a bit too sexy for me.

Max Tundra had more enthusiasm during that one performance than I've ever had in my entire life.

Deastro played 4 or 5 new songs. Then shit broke. Then they played 4 or 5 old songs. Then 1 more new song about falling in love with a vampire. And it was all awesome.

Deastro


Deastro


Max Tundra


Max Tundra


Mystery Roar


More on Flickr

Monday, May 11, 2009

Keith Fullerton Whitman & Geoff Mullen, Eli Keszler & Ashley Paul, Perispirit, Zerfallt, Double Awake at Great Scott

Geoff Mullen & Keith Fullerton Whitman


Eli Keszler & Ashley Paul


Perispirit


Zerfallt


Double Awake


More photos on Flickr


Double Awake: thick drone, vocal based and stuttered out with abrupt volume shifting

Zerfallt: the audio version of a lead blanket so heavy your legs can't hold out

Perispirit: power beauty

Eli Keslzer & Ashley Paul: the usual controlled frenzied awesomeness with the addition of a bowed banjo

Keith Fullerton Whitman & Geoff Mullen: not gonna touch this one; you'll just have to imagine it

Friday, June 6, 2008

Tim Fite At Great Scott

Tim Fite playing CMJ '06


No matter how many times I see him (and it's been quite a few), Tim Fite never fails to disappoint. His live shows are so much more entertaining than his records, as I mentioned in my review of Fair Ain't Fair (which I have grown to love).

When you go see Tim Fite (and you should), you should be ready for fun. The stage is always set up the same, with a projector screen showing his heart/gun logo and a giant wooden boombox with flashing lights. And right off the bat, he makes sure everyone gets all nice and close to the stage, so he doesn't feel lonely.

Then the show starts. He has a couple of staples that he always plays, "No Good Here," "Away From The Snakes," "I Hope Yer There," "It's All Right Here," and usually a few more. But this time, he played a bunch of stuff from his new record which meant no "Forty Five Remedies" or "Camoflage." Instead, we were treated to "The Barber," "Big Mistake," and "More Clothes." Sadly, he didn't play "Roots Of A Tree" or "Rats & Rags," two of my favorites from Fair Ain't Fair.

But when Tim Fite plays a live show, it's not just about the music. No no no, there's also story time and sing-alongs. Yup, after every couple of songs, there's a break from the music where Tim tells his stories with the help of Dr. Leisure, who does the projection stuff (as well as help out with the music and going on hilarious stream of consciousness rants). There's stories called "Jo-Jo & Bobby Stab A Motherfucker," and ones about what dogs eat, and another about a rat named Juice. They're all charming and illustrated by Mr. Fite himself.

One of my favorite parts of his shows, though, is the sing-along to "Burn It Down." Tim talks about various places he was walking by and how he wanted to burn them down. It's best experienced live, but you can check out the video below for a clip of the song at Southpaw in Brooklyn.

The last song he played was "Away From The Snakes" and he was truly impressed by the crowd. He said, "I've never seen so many people singing this song together." It was quite touching. I think everyone in the club had a tear in their eye. Afterwards, Adam Green went on, but neither I nor anyone I was with were very interested in sticking around.

Seriously, Tim Fite puts on one of the most unique and engaging live performances ever. If you get a chance to see him, you should. He's still touring with Adam Green right now, so he might be playing somewhere near you. Go see him. You'll have a good time. I promise.

Tim Fite - Burn It Down (clip)