Black Pus: whirlwind chaos, heavier and more metal than on record, surprisingly chill crowd, "Fuck the beat police!"
Sissy Spacek: dude had guitar with springs for strings, Wiese looks like a creepy pedophile (via The Lovely Bones), indescribable noise that somehow didn't (but should have) shattered my lens
Nautical Almanac: crazy ass rear projections on a giant's sheet distracted from the already distracted radio-scanning incomprehensible clatter
Wittmer & Knowles: performance noise, Germanic human robots played tuning forks with their feet, the mouth of hell opened up, dragged to a cacophonous world of guttural growling & strobe lights, wall of mayhem, sight & sound cease, robots collapse
Weyes Blood: shamanistic organ drone pop with Zola Jesus vocals and warped backwards tapes of wind & dust, the man made her blown out her essential mood-enhancing candles
Max Tundra had more enthusiasm during that one performance than I've ever had in my entire life.
Deastro played 4 or 5 new songs. Then shit broke. Then they played 4 or 5 old songs. Then 1 more new song about falling in love with a vampire. And it was all awesome.
No matter how many times I see him (and it's been quite a few), Tim Fite never fails to disappoint. His live shows are so much more entertaining than his records, as I mentioned in my review of Fair Ain't Fair (which I have grown to love).
When you go see Tim Fite (and you should), you should be ready for fun. The stage is always set up the same, with a projector screen showing his heart/gun logo and a giant wooden boombox with flashing lights. And right off the bat, he makes sure everyone gets all nice and close to the stage, so he doesn't feel lonely.
Then the show starts. He has a couple of staples that he always plays, "No Good Here," "Away From The Snakes," "I Hope Yer There," "It's All Right Here," and usually a few more. But this time, he played a bunch of stuff from his new record which meant no "Forty Five Remedies" or "Camoflage." Instead, we were treated to "The Barber," "Big Mistake," and "More Clothes." Sadly, he didn't play "Roots Of A Tree" or "Rats & Rags," two of my favorites from Fair Ain't Fair.
But when Tim Fite plays a live show, it's not just about the music. No no no, there's also story time and sing-alongs. Yup, after every couple of songs, there's a break from the music where Tim tells his stories with the help of Dr. Leisure, who does the projection stuff (as well as help out with the music and going on hilarious stream of consciousness rants). There's stories called "Jo-Jo & Bobby Stab A Motherfucker," and ones about what dogs eat, and another about a rat named Juice. They're all charming and illustrated by Mr. Fite himself.
One of my favorite parts of his shows, though, is the sing-along to "Burn It Down." Tim talks about various places he was walking by and how he wanted to burn them down. It's best experienced live, but you can check out the video below for a clip of the song at Southpaw in Brooklyn.
The last song he played was "Away From The Snakes" and he was truly impressed by the crowd. He said, "I've never seen so many people singing this song together." It was quite touching. I think everyone in the club had a tear in their eye. Afterwards, Adam Green went on, but neither I nor anyone I was with were very interested in sticking around.
Seriously, Tim Fite puts on one of the most unique and engaging live performances ever. If you get a chance to see him, you should. He's still touring with Adam Green right now, so he might be playing somewhere near you. Go see him. You'll have a good time. I promise.
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Disclaimer All of the music on this site is for promotional and sampling purposes only. If you enjoy it, please consider buying the record or going to see the band live. They will appreciate it, I promise. If you own the rights to a song on this site and you would like it removed, please contact me and I will do so as quickly as my tiny paws allow.